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Transcript

The Media Duopoly and Controlled Opposition

Infinite Plane Radio Broadcast: November 23rd, 2025

Infinite Plane Radio Broadcast: November 23rd, 2025

This broadcast provided an analysis of current media narratives and political events, framing them as components of the broader Psyop Entertainment Complex designed to maintain a controlled worldview through a media duopoly, predictive programming, and reinforcement messaging.

  • The Media Duopoly and Controlled Opposition

    • The media operates via a duopoly: “Mainstream and alt-mainstream. But the two are triangulated against one another”.

    • Pundits like Candace Owens, despite having the “number one podcast in the world”, are seen as “controlled opposition”.

    • Her role is to serve as a bridge, redirecting followers from questioning media (red pill) into specific political narratives (J pill).

    • “No, she got her start with Project Veritas. I mean, this is all just controlled opposition.”

    • “She’s a bridge from red pill to J pill where, yeah, these conspiracies aren’t really true. The real truth is this.”

    • “Candace Owens is leading people down well-paved rabbit trails.”

  • Charlie Kirk (CK) Event as a Staged Psyop

    • The purported assassination of Charlie Kirk (CK) is viewed as a “staged Psyop“ or “magic show”.

    • The CK event was “likely planned, at least scheduled... in the mid-90s”.

    • The narrative structure involves three phases: “predictive programming”, “concurrent programming” (e.g., Charlie Sheen discussing JFK assassination on Joe Rogan just before the CK news), and “reinforcement programming” (Candace Owens dominating the topic).

    • “I think that politics... needs to be looked at as part of the Psyop entertainment complex.”

    • “The assumption that people die in Psyops“ is described as a “guardrail” that prevents people from viewing media fakery in its entirety.

    • “So now the dominant narratives on this topic are saturated with the alt media perspective clashing with the mainstream. And that’s it.”

    • “But the assumption that they’re dead is sort of a, it’s a guardrail.”

  • Political Theater and Societal Control

    • The entire political system is characterized as “bread and circuses” designed to give “subjugated populations” an “illusion of power”.

    • The political horseshoe split maintains division, enforced by provocateurs.

    • QAnon is described as a “cult” involving a “syncretic blend of Christianity and politics”.

    • “I think MAGA’s on the way out. I think it served its purpose.”

    • “It’s clear to me... that there’s such a heavy-handed control over worldview that it constitutes a monopoly...”

    • “I mean, you have to recognize the effectiveness of this systemic media fakery and manipulation of worldview through the fabrication of historic events.”

  • Predictive Programming and Monolithic Symbolism

    • Historical events are forewarned through “predictive programming,” acting as “product placement for future fake events”.

    • This manipulative worldview is described as “monolithic,” drawing parallels to the monolith in 2001 Space Odyssey. The monolith represents “the ubiquitous worldview that is a merging of real and fake. Hyper-reality...”.

    • The concept of a “design authority” or “Saturnian presence” is linked to figures like the Man in Black in Westworld and Ed Harris’s character in The Truman Show, who controls time and space.

    • “I look at it as product placement for future fake events.”

    • “I think what he’s giving away with that movie is that we are being moved into this space odyssey.”

    • “The design authority, the meta-scripters, they are the Saturnian presence here.”

    • “If you can plot a timeline and plan in advance 30 years prior to major historically significant events, you control time.”

  • Color and Archetypal Symbolism (Green/Joker)

    • The color green is frequently associated with class warfare and left-wing revolutionary archetypes.

    • The Wicked Witch in Wicked is described as “100 antifa coded”, rebelling against a “fascist wizard of oz”.

    • The Joker archetype is highlighted as a “class warrior” linked to “kill the rich” themes.

    • “So the Joker is accosted by some rich guys on a subway, and he kills them. And he’s now a hero.”

    • “The green beret, the Joker, kill the rich, kill the CEOs. This is like a building theme...”

  • The Nature of Reality and Disbelief

    • The mainstream perspective often equates to the information provided by systems like “Wikipedia or chat GPT”.

    • True skepticism is based on “informed disbelief,” achieved by examining all sides, rather than “low information belief”.

    • Psychological operations are only effective because “empathic people weren’t being triggered and emotionally manipulated”.

    • “The reason she’s number one is she’s propped up. I don’t think it’s organic.”

    • “If your sole frame of reference is your seat and what the magician tells you to look at, you cannot deconstruct the magic trick from that seat.”


The relationship between predictive programming and manufactured historical events is like an architectural blueprint. Just as a builder uses a detailed plan drawn decades in advance to construct a building, the “design authority” uses media (movies, news, podcasts) as early blueprints and subsequent construction materials to shape historical occurrences and ensure the eventual public perception aligns perfectly with the pre-written script.

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