This episode of the IPS DEPROGRAM, recorded on May 30th, 2025, begins by noting that the date is "just 11 days out from what could be a very interesting day". While acknowledging there's "always a curveball", the speaker refers to the "consistent representation of the destruction of the Space Needle" in conjunction with themes like EMP, blackout, and earthquakes as strongly suggesting potential future events.
A central theme discussed is the potential for a nuke scenario involving water and a coast, specifically Seattle. This idea ties into symbolism from various media, including the Kraken from Hunt for Red October and the Poseidon weapon from conversations about the Odyssey and the nymph Calypso. The Space Needle is linked to this through a sculpture at its base in Final Destination depicting a "massive crab coming out of the water". The speaker notes this "ties it together kind of neatly". Godzilla is also presented as a metaphor for the nuke, with the release of the film coinciding with Oppenheimer. An EMP event is considered part of this story, potentially originating "from the water". The conversation also touches on a Japanese comic book that allegedly predicted the Fukushima disaster and now points to July for a "major disaster," leading to tourists canceling plans. A participant, Diana Southard, suggests a "tsunami created by a nuked submarine".
The discussion extensively analyzes how events are perceived as being told through various media and real-world occurrences, suggesting a "meta-script". This involves concepts like predictive programming and concurrent programming, where events seem to align with movies, shows, or books released beforehand or concurrently. The speaker refers to this phenomenon as living on "planet Netflix". Examples given include White Noise overlapping with the East Palestine train derailment, where actors from the movie were evacuated from the real event, and Leave the World Behind connecting with the Francis Scott Key Bridge incident due to shared themes and the mention of "America". The media noticing these alignments and calling them "eerie coincidence" is discussed as a form of cognitive dissonance induction. The number 33 is identified as a "common hoax code" frequently appearing in connection with events perceived as staged.
Elon Musk is discussed in the context of appearing with a black eye. Musk joked about it not happening "anywhere near France" and later claimed his son X punched him. The speaker views Musk as potentially a "reality TV show character" or a "construct" operated by "a dozen puppeteers". Musk's black eye is speculated to connect to the "Trump head wound scenario" represented in movies like Megalopolis, where Adam Driver's character (likened to Trump) is hit in the same spot.
The topic of mass shootings and "crisis actors" is explored. The press conference for a mall shooting in Waterbury, Connecticut, is criticized as a "PR infomercial". The speaker questions the purpose of active shooter drills given the high body counts in real events. The idea that pointing out crisis actors might be an "intelligence operation" or a "limited hangout" is raised. This strategy is suggested to divert attention from the "directors" and the media being the "actual production". The movie Zero Day is mentioned for depicting a character who calls out crisis actors during a staged event, leading to a riot. The Alex Jones Sandy Hook verdict being overturned is discussed, with the speaker stating Jones "never actually said" nobody died but "kind of half-heartedly agreed" with a caller. The speaker asserts that in staged PSYOPs, actual deaths likely do not occur to avoid illegal activity and potential whistleblowers. David Hogg is cited as a "crisis actor confirmed" due to his appearance in O'Keefe videos, noting his father was FBI. The difference between an "MSM+" approach (believing events but adding more details) and an "MSM minus" approach (subtracting unverified information, particularly deaths) is highlighted.
Recent bridge collisions are analyzed for symbolic meaning. The Francis Scott Key Bridge incident is linked to the "Star Spangled Banner". The Brooklyn Bridge collision on May 17, 2025, where a Mexican Navy training ship hit the bridge, is noted for the death of one of the victims, America Sanchez, described as the "death of America kind of written into the story". The ship had three masts, which the speaker suggests "could easily tie into the three masts of the Space Needle". The Pope's title "pontiff" meaning "bridge builder" is also brought into this symbolic interpretation.
The nature of reality and control is a recurring theme. The speaker contemplates the use of AI to create believable bots that can "drown[] us out" and "shut down and shame skeptics", potentially reaching a scale where skepticism is "incontestable". Grimes is mentioned as having discussed AI being used to "perfect communism" and remove "systemic corruption," potentially leading to a future where "Nobody would have to work anymore".
Religious and occult symbolism, including Theosophy and New Age concepts, are interwoven with the analysis of current events. Elevators are discussed as having significance related to ascent, descent, and the underworld, drawing on James Shelby Downard's King Kill 33.
A caller introduces the concept of the "externalization of the hierarchy" in 2025 from Alice Bailey's writings, suggesting it's the year "the hidden white hats" or "aliens, or the reappearance of Christ" are "going to show themselves". The speaker interprets this within the framework of "good and evil" operating under an overarching "uppercase E, evil" system, where even choosing good or evil within it "is still evil". Mormonism is discussed as potentially representing a desire to establish a "perfect government" and is linked to Freemasonry and the idea of America as the "new Atlantis," an inversion of the Old Testament narrative of judges preceding kings. The concept of the "Death of America" is reinforced through biblical allusions like America represented as Babylon and the return of Jesus occurring in the "days of Noah and the days of Lot". The first nuclear test site being called "Trinity" is noted, connecting to the "Trinity god" concept in "false Christianity".
Ultimately, the episode is characterized as engaging in "Metascript analysis," aiming to understand the "big story" or "script of fake history that is being performed in front of our [eyes]". This approach involves reading current events "as though it were a work of literature" and looking at trends and "past precedent" to understand "where it's going".
Share this post